Many people ask how the Sarum Rite can be used today. The Sarum Rite is a rich and diverse tradition of worship that escaped the alterations and revisions that have been witnessed by other rites since the reformation; it has much to offer in recapturing historical traditions and connecting with earlier Christian practices. Although the Sarum Rite ceased to be practised in Britain following the ‘troubles’ that began with the reign of Edward VI, and on the continent as a result of the counter-reformation revisions of the 16th century, it has remained a valid and authorized Rite of the Roman Catholic Church since it was one of continuous custom for two hundred years or more before the promulgation of Quo Primum. The Sarum Rite has been of great interest to Anglicans since the days of liturgical revival in the mid-nineteenth century. This page provides suggestions for using the Sarum Rite today.
Priests would do well to first learn and use the Ordinary and Canon of the Mass as found in the Latin Breviary (A-23, p. .) (or in the English translations of Pearson or Warren). Votive propers (see below) and the Mass for the Dead (A-23:.) are appropriate for daily said masses. Notes on Ceremonial will be found to contain much practical assistance in adapting the Sarum Rite to the Anglican tradition. According to the Sarum Missal, 1526, the following is the normal weekly cycle of votive masses (see Dickinson ed.:735*):
Sunday: The Holy Trinity (A-23:.)
Monday: The Angels (Dickinson ed:738*.)
Tuesday: Salus populi (Dickinson ed:741*.)
Wednesday: The Holy Spirit (A-23:.)
Thursday: Corpus Christi (Dickinson ed:746*.)
Friday: The Holy Cross (A-23:.)
Saturday: The Blessed Virgin (A-23:.)
Deacons can learn the Tones for proclaiming the Lessons and Gospel, and take every opportunity to sing those proclamations at Mass.
Church Choirs might begin by selecting items from the Music of the Ordinary–Kyrie, Gloria, Sanctus and Agnus Dei, and using these on a regular basis (in Latin or English). The Latin Music of the Ordinary is now available, but the English version is not yet published. Antiphons and Responsories can be used independently as short choral pieces. The resources of this site can be used to sing a Sarum Vespers service in Latin or English, or individual items from the Sarum repertoire, such as the Magnificat and Nunc Dimittis could be incorporated into a more typical Anglican-style Evensong. The English Gradual, while still only available in a draft version, provides Introits, Graduals, Alleluyas, Offertories and Communions for the whole year. Select items of Sarum repertoire can also be included in choral concerts.
Congregations might be interested to learn some of the simpler hymns from the English translation of the Office Hymns (see under ‘More Documents’). Congregations can also be taught to sing some of the items of the ordinary (Kyrie, Sanctus, and Agnus Dei in particular).
Individuals, small groups and religious communities might follow the suggestions below to partake of the Liturgy of the Hours.
Praying the Office
The following suggestions are intended to help those who would like to be introduced to praying the office, whether alone or in a group. The Sarum Office may seem overwhelming unless it is approached in manageable portions.
An excellent place to begin is with Compline, the evening office. One might make use of both the Latin and the English versions side by side (the Latin is Part A-11; the English is Part EPA-11). The material of Compline does not require reference to any other parts of the Office. It can be sung directly from the one file throughout the year.
Once Compline is understood and manageable, one might turn to Lauds and Vespers. One might approach Lauds by singing the Antiphon to the Benedictus, and the Benedictus itself, followed by the appropriate Prayer, as found in the Temporale or Sanctorale. Likewise, one might become accustomed to Vespers by simply singing the Antiphon to the Magnificat,and the Magnificat itself, followed by the appropriate Prayer. Once the pattern of these has become well understood, one might include also the Chapter and Hymn at Lauds and Vespers, as well as the Preces which close the service on ferias.
At the same time, one might become familiar with the structure of the Psalter, firstly by incorporating the Psalmody that pertains to Lauds and Vespers.
The Offices of Terce, Sext and None have few changeable portions, and can be introduced by simply singing Part A-3 (Latin) or Part EPA-3 (English).
Having got this far, one should be able to fill out the rest of the cycle at will. Matins is the largest and most demanding of all the offices. It requires considerable patience and perseverance, but its many treasures are well worth the effort.
The Office of the Dead. It is appropriate to sing the Office of the Dead at any time (Breviary, part A-13, Latin or English), in honour of one or more deceased persons. If the time is short, Matins may use only one Nocturn.
The Office of the Blessed Virgin Mary. It is appropriate to sing (or say) this Office every day (Breviary, part A-14, Latin or English).